

In his first major installation, called "Landscape of Childhood", Yan painted 34 children, the sick and the orphaned, on flags flying before a big backdrop of landscape. The exceedingly loud noise from the fans to keep the flags up was apparently not intentional - and the colors on the painted flags were said to be fading already due to the strong gust. But for audience, the noise was absolutely a part of the installation, and added to the impact. You felt the fragility, helplessness of the children against the strangely sparse background of Western-looking landscape as you look at the oversized portraits. It's bold to fill such a big room with "so little". But it was well done!
Wonder how its going to work this time - I read that the 400k USD to set up Qiu Zhijie's last UCCA exhibition was paid for not by UCCA, but by some gallery. Presumbly the work will be sold off in pieces. Same for this Yan's exhibition I guess - there's 34 pieces to sell this time?!
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