![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUeytqiEHwhZJb-cJhYMx5oRcYBQXFNIgenH7Ok54sR7iCtj8y6qtwnixYuy_KZfYKxDP_UzQ3fgkKrAkBFJGYgYCiqoDJlgbExr3skXDxhctx3mze3m5slbedOkCLn4gpc1UCro8NpdI/s320/Alan+iPhone4+photo+2010+2109.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSpkZtYpMoQtXkaghEazGgKh6iguYcESR27WM6ZUHRWbOzElLFPrpbpw_ntSIUq_DgoJ0ZMx6XBpLkKcxDBFDt7OyZ_47uI47zGZHkuh5wFgdI5uWy4LEUwNj3ISWHxhyphenhyphenoFYAsj4P12-E/s320/Alan+iPhone4+photo+2010+2107.jpg)
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The large Artistee space exhibited an impressive set of works (300 of them?) but mostly produced when he's in the nursing home already, hence somewhat limiting in its presentation of a true lineage of his work. There's not enough of his earlier pieces - perhaps those are all in collector's hands?
As to the response part of the show, almost all works are horrifying - with the exception of Thomas Lin's video 'TĂȘte-BĂȘche' where he recreated Tsang's calligraphy upside down (an impressive fest shown in a captivating video).
The marketing is worth mentioning - there's poster all around Taikoo Place! Swire just does it so well its simply impressive.
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